I spent most of last weekend working on the book. This is the third year in a row that I’ve cut out of work for a few months. You know, that’s the plan at least, I’ll have to keep an eye on my 401K.
That’s a joke, motherfucker. I don’t have a 401K.
About a year ago I got an idea for the book I’m writing now. I’d read an article online about some crazy sonofabitch who murdered his wife and ran off with her daughter (his stepdaughter). The cops didn’t know if the girl went willingly or if she was kidnapped, but when they caught up to the guy and went to arrest him, she came out of the apartment they’d moved into and started swinging–I’m not making this shit up–some big ass samurai sword. Cops being cops, they shot her before she got too far into the routine.
But our lovebirds don’t end there. While the cops run over to her, to secure her or whatever (watch her die?), the guy gets out the gun he’s been holding in his pants and takes himself out. Right there on the front yard. And they say Modern Love is dead.
After our Romeo & Juliet bled out and got the Bright Light, Loud Siren Limousine Service to the morgue, the cops went into the house. And what did they find? Glad you asked. They found the following:
(1) The original wife’s wedding ring, birth certificate, and drivers licence. The drivers licence had been opened, and the daughter’s picture inserted.
(2) A “substantial” supply of valium.
(3) Newspaper clippings of the mother’s death.
So I started scratching the ol’ temple, wondering what sort of stew I could make with something like that. Hell, there didn’t even have to be much embellishment. The original story is fucked up enough that nobody would believe you even if you showed them the documentary.
But that’s why we write.